These Are Not Gentle People (Paperback)
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THE STORY BEHIND NEW BBC RADIO SERIES AND PODCAST "BLOOD LANDS"
"Utterly gripping, timely and shocking" PHILIPPE SANDS
"Compelling and disturbing . . . quietly devastating" DAMON GALGUT
"This is a book of profound importance . . . A masterpiece" ALEXANDER McCALL SMITH
"A vintage crime story . . . an extraordinary tale . . . It is written as a drama, part thriller, part tragedy" ALEC RUSSELL, Financial Times
"A smartly paced true-crime thriller with a vivid cast of characters . . . as tense as it is disturbing" JOHN CARLIN, author of Playing the Enemy: Nelson Mandela and the Game That Made a Nation
Two dead men. Forty suspects. The trial that broke a small South African town
"Look what the fucking dogs did to them, someone muttered. No-one mentioned the rope, or the monkey-wrench, or the gun, or the knife, or the stick, or the whip, or the blood-stained boots. In fact, no-one said much at all. It seemed simpler that way. There was no sense in pointing fingers.'"
At dusk, on a warm evening in 2016, a group of forty men gathered in the corner of a dusty field on a farm outside Parys in the Free State. Some were in fury. Others treated the whole thing as a joke - a game. The events of the next two hours would come to haunt them all. They would rip families apart, prompt suicide attempts, breakdowns, divorce, bankruptcy, threats of violent revenge and acts of unforgivable treachery.
These Are Not Gentle People is the story of that night, and of what happened next. It's a courtroom drama, a profound exploration of collective guilt and individual justice, and a fast-paced literary thriller.
Award-winning foreign correspondent and author Andrew Harding traces the impact of one moment of collective barbarism on a fragile community - exploding lies, cover-ups, political meddling and betrayals, and revealing the inner lives of those involved with extraordinary clarity.
The book is also a mesmerising examination of a small town trying to cope with a trauma that threatens to tear it in two - as such, it is as much a journey into the heart of modern South Africa as it is a gripping tale of crime, punishment and redemption.
When a whole community is on trial, who pays the price?
About the Author
Andrew Harding left London in 1991, aged twenty-four, and has lived and worked abroad as a foreign correspondent ever since. He spent a decade in the former Soviet Union before moving to east Africa and then to Singapore as the B.B.C.'s Asia correspondent. Since 2009, he has been the B.B.C.'s Africa correspondent. He has reported from numerous conflict zones, including Chechnya, Afghanistan, Iraq, D.R. Congo, Burma, Central African Republic, Mali, Côte d'Ivoire and Libya, winning many awards including an Emmy. Andrew is married, with three sons. He is the author of The Mayor of Mogadishu: A Story of Chaos and Redemption in the Ruins of Somalia (2016).
A smartly paced true-crime thriller with a vivid cast of characters . . . as tense as it is disturbing, richly evoking the mood of a dark, dry place in the heart of South Africa where racial fear lingers, brutal rage flares and everyone remains trapped in the cruel coils of history.—John Carlin, author of PLAYING THE ENEMY: NELSON MANDELA AND THE GAME THAT MADE A NATION
An extremely beautiful, profound, disturbing, magnificent book. I can't recommend it more highly—Marrianne Thamm, Daily Maverick
Andrew Harding is one of the great foreign correspondents—Fergal Keane
Compelling and disturbing . . . The portrait that emerges of South African society is a profoundly sad one. Harding keeps himself invisible, and admirably objective, letting, among other things, the hardscrabble lives he describes speak for themselves. The result is quietly devastating.—Damon Galgut, Times Literary Supplement
One of the finest, starkest and most minutely observed accounts of race relations in post-apartheid South Africa to date . . . a vintage crime story . . . an extraordinary tale.—Alec Russell, Financial Times
Utterly gripping, timely and shocking—Philippe Sands
[A] searing examination of a small town trying to cope with a trauma that threatens to tear it apart"—Sunday Times (South Africa)
A stunning, if jarring narrative non-fiction work. Buy and read this book. It's as good as his excellent first book, The Mayor of Mogadishu. This story doesn't reduce to black and white racial tropes even as it doesn't shy away from the racism and racist history that inform the lives of the characters and their social relations in Parys—Eusebius McKaiser
Every so often a book comes very close to defining a nation. In this extraordinary, fast-paced and exquisitely written true story, South Africa's brutal and divided past, its complex present and contested future collide in an explosive narrative of race, class and human cruelty. This is In Cold Blood meets Midnight in the Garden of Good and Evil. Believe me, Andrew Harding has given us an instant classic.
This is a book of profound importance. Through its pages there runs a deep and sympathetic understanding of a troubled country. A masterpiece.—Alexander McCall Smith
Uncomfortable and disturbing, but impossible to put down . . . From the first paragraph it is a fast-paced suspenseful thriller. A disturbing and moving story of fear and suspicion... Harding writes so well and with so much empathy and insight—Vrye Weekblad
Wow! What a book! I cannot believe I'm going to read too many better non-fiction books. It points out how messy, complex and nuanced is almost everything is in our society. It is exceptional—John Maytham, Books of the Week - CapeTalk Radio
These Are Not Gentle People is a South African tragedy. Page after page reveals the painful truth, that the sun has set on Mandela's Rainbow Nation . . . The lives of the characters, from the landless and poor blacks, to the white landowners caught in a vortex of fear and oblivion, are a true reflection of South Africa's unfinished business - building a country that belongs to all . . . A gripping and painful read, told with empathy and nuance. These Are Not Gentle People, is an uncomfortable reminder that the past is not over.—Redi Tlhabi